I just wanted to offer some feedback from my initial experience with Pigments 4, acquired two days ago. I hope this post doesn’t sound too extreme, but I am profoundly impressed by what the developers of Pigments have accomplished.
As a bit of background, I started experimenting with musique concrète in 1954, when I was a kid, by breaking and splicing segments of wire from my dad’s wire recorder. So I was a virtual contemporary of Pierre Schaeffer, although I was too young to know it. Since then I’ve explored all kinds of sound design and synthesis, crude home-made circuits, modified home organs, Bob Moog’s first modules, Wavestations & Wavestates, endless experiments in Reaktor, and the best software designs from Native Instruments, Spectrasonics, Steinberg, and others. And as a software architect & coder for many years, my favorite area was user interface design.
I’m delighted to say that Pigments is the most beautifully designed and conceived soft synth I’ve ever seen or used. There are a lot of excellent synths out there, some of which are extraordinarily appealing – and even usable – but Pigments continually amazes me with the intelligence and elegance of its entire structure and presentation.
The completeness and thoughtfulness of all the user conveniences throughout Pigments, even in the functionality of the patch manager mode, are wonderfully friendly and useful while also being consistent, clean, and visually appealing. The synth itself, and its design and layout, is downright beautiful. But the aesthetic appeal isn’t just layout – every conceivable parameter is intelligently animated and visualized, far more usefully than any other synth I’ve used. The modulation management system is unique, and affords multiple self-explanatory ways to create, edit, and review even very complex assignments – I’ve never seen mod management even close to this level of usability.
The designers and programmers responsible for this evolving masterpiece deserve the highest praise for such a rich and accessible sonic playground. I am blown away, and I’m still discovering not just new layers of functionality, but new ways in which the holistic design brilliantly anticipates the sound designer’s usability needs.
Congratulations on creating a best-in-class tool for artists that is in itself an artistic masterpiece. I look forward to its continuing evolution and refinement, and I hope that Arturia can remain independent and thriving in the challenging world of mergers and consolidations. Thanks for packing so much care and quality into one (reasonably priced) monster synth.
My best to everyone involved,
Allen