Hi @LBH - thanks for the feedback!
Yes, I also assume that there is probably not much interest in presets for the V2 version anymore, and that they should ideally be available in the .modux format by now.
The problem is, I actually have the V2 of the Moog Modular and all my presets are in that format. I read that there used to be a converter for V2 to V3, but that one is probably ancient by now as well, so it doesn’t seem to be available anymore, or at least not easy to find.
And honestly, I mainly make music and I’m not a professional when it comes to formats and conversion stuff. But if there is still a converter that actually works, I would definitely be willing to invest the time to convert my patch collection and make it available.
On the other hand, I assume that internally at Arturia they probably have their own, more modern tools to do this in a matter of seconds. Especially in times of AI and extremely fast computer systems, and with all the collective brainpower in Arturia’s software department, this shouldn’t really be a big deal, right?
For me, the more important question is whether anyone there still knows Tomita, his sound world, and would appreciate his typical sounds. After all, today’s sound landscape has moved very, very far away from the sound of the 70s. But I’m sure there are still people who enjoy a bit of nostalgia, and I would like to make exactly these sounds available to those people.
One reason why I don’t simply want to throw the sounds into a community and leave them there is that I fear they would hardly be noticed, even in a very active forum.
Arturia has an organically grown distribution structure, and I’m sure the marketing people know very well that if there is something worth spreading, they also know exactly which way is best to reach as many ears as possible.
And I’m not interested in having a preset pack heavily marketed in order to make money from it. The financial aspect doesn’t interest me at all. I simply want to help preserve the sounds of the Tomita era, and Arturia is, after all, the company that provides the instruments from that era and has successfully carried that electronic heritage forward with their modern successors to this day.
To put it this way, I would feel that my sound collection was in good hands in that environment.
Maybe I’m thinking about this the wrong way, but that’s at least what I’m hoping for. If they aren’t interested, I can live with that too, but I think it’s worth giving it a try.
As for the similarity to the original sounds, since you mentioned that, I’m actually quite relaxed about it because I’m very picky about that myself, and I’ve invested an enormous amount of time and nerves into recreating the sounds.
As I mentioned above, I’m working on an adaptation in the Tomita style, and obviously I can’t exactly be throwing around Jarre sounds there. So yes, you can safely assume that this stuff sounds like Tomita.
Of course, you have to keep in mind that the raw preset alone is only one ingredient in the soup. Tomita layered a lot of sounds and used spring reverb and tape delay.
None of the presets is simply “plug & play” and, boom, you’ve got a new “Snowflakes Are Dancing”. But the sounds at least provide the necessary foundation.