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31
I can't use the ext input either in the Modular v3 nor the Arp 2600.
I saw some old threads from last year about this, but couldn't find a solution on the forums or by myself.

Was this problem fixed? is there a way to send audio to these instruments?

I find it hard to believe that there woudn't be a solution after almost a year, yet I can't seem to find one.

Anybody?

thanks
32
Analog Lab 2 - Users Community / Re: how to map swell to expression pedal in B3 preset
« Last post by pjkemp on February 18, 2017, 11:19:52 pm »
Thanks, LBH. Just learning the ropes here.

Too bad the Lab cannot directly map the expression pedal using MIDI Learn.

At this point I have no interest in buying B3 V, as I have two other good emulations already.

I was able to remap the expression pedal port in the MIDI Control Center. that will suffice for now, but I find the midi learn mapping claim for analog lab a little misleading.

Once again, thankyou for your help.
Phil
33
Spark Users Community / Re: inputting into Spark sequencer from daw soft synth?
« Last post by BongSong on February 18, 2017, 11:04:38 pm »
019297,

I am using Sonar 8.5 windows 7 64bit.

Could you or someone else provide step-by-step instructions on how I could set this up?

Thanks!
34
Modular V3 - Feature Requests / Re: External Inputs
« Last post by Jon Donson on February 18, 2017, 09:51:50 pm »
btw, I just tested the external audio ability, and it's working w/o problems in Ableton.
in Live, just assign the audio track to Modular vst, and in Modular, select extAudio eg as an input source for a filter.
the dry signal isn't present at all.
You can easily use Modular as an fx vst.
35
MatrixBrute - General discussions / Re: New Max for Live Device for the MatrixBrute
« Last post by khidr on February 18, 2017, 08:51:08 pm »
Hi khidr,
Thanks a lot !
I've been testing your mapping that's great !
Hi Ben,

Many thanks for your compliments..
I just finished a new M4l device that allows you to tweak, store and recall complete filter configurations and play them back using the sequencer. It's rather exciting to hear a complete new filter configuration with each step of the sequencer. I didn't know midi was fast enough to transmit all that data. You can also download the device in  in the preset area of the forum. (http://forum.arturia.com/index.php?board=251.0)

Update: monday 20/2 I am temporarily suspending download to have a look at some unexpected bugs....expect it to be back up in a week or two....

Here's how it works:

The FilterJuggler allows you to store MatrixBrute Filter configurations and recall them using a Memory Strip.  A Filter configuration consists of all six dial of the Steiner Filter, the six dials of the Ladder Filter and the master cutoff dial. The configurations can be stored in a memory strip with twelve storage locations.
The twelve  stored filter configurations can  be recalled by playing the keyboard, the sequencer or using the M1 macro switch.
The twelve slots in the memory strip are mapped to the chromatic scale. That is: if you play a "C" on any octave of the keyboard you'll hear the filter settings stored in the first memory slot, "C#" plays the second memory slot a.s.o.

Getting up and running...

Once you've loaded FilterJuggler into Ableton, you set a midi channel which sends midi to- and receives midi from the MatrixBrute.
Next you start twiddling your filters on the MatrixBrute, both Steiner and the Ladder filter..  Whatever you do is mirrored on the Filterjuggler, if not, something is wrong in your midi setup. The Panel switch on the MatrixBrute should be "off".

When you find something you like "shift click" on a location of the memory strip. This will store the current setting setting of the filter knobs.
Note:  FilterJuggler can only store knob positions, no switches, as the status of these cannot be send and received over midi.
You continue to tweak and find another combination of filter settings that you like a.s.o up to twelve different combinations can be stored this way in the memory strip.

You can now use the M1 Macro knob to quickly move through all the filter combinations you've created. This allows you to take an existing MB preset and try what it sounds like with the configurations you've created. One small movement of the M1 know will create an entirely different sound.
An alternative is to play the keyboard or to start the sequencer. Playing the keyboard/sequencer will load a different filter configuration with each step of the sequencer. An effect that cannot be achieved with the Matrixbrute alone.

 "write" saves current config.
 "read" loads stored configurations. 
"clearall" will clear the memory strip

Have Fun....

Gert/Khidr
36
MatrixBrute - Presets & Media / New M4L Device:Filterjuggler
« Last post by khidr on February 18, 2017, 08:37:34 pm »
Hi All,

I just finished a new M4l device that allows you to tweak, store and recall complete filter configurations and play them back using the sequencer. It's rather exciting to hear a complete new filter configuration with each step of the sequencer. I didn't know midi was fast enough to transmit all that data. You can also download the device in  in the preset area of the forum. (http://forum.arturia.com/index.php?board=251.0)

Update: monday 20/2 I am temporarily suspending download to have a look at some unexpected bugs....expect it to be back up in a week or two....

Here's how it works:

The FilterJuggler allows you to store MatrixBrute Filter configurations and recall them using a Memory Strip.  A Filter configuration consists of all six dial of the Steiner Filter, the six dials of the Ladder Filter and the master cutoff dial. The configurations can be stored in a memory strip with twelve storage locations.
The twelve  stored filter configurations can  be recalled by playing the keyboard, the sequencer or using the M1 macro switch.
The twelve slots in the memory strip are mapped to the chromatic scale. That is: if you play a "C" on any octave of the keyboard you'll hear the filter settings stored in the first memory slot, "C#" plays the second memory slot a.s.o.

Getting up and running...

Once you've loaded FilterJuggler into Ableton, you set a midi channel which sends midi to- and receives midi from the MatrixBrute.
Next you start twiddling your filters on the MatrixBrute, both Steiner and the Ladder filter..  Whatever you do is mirrored on the Filterjuggler. If not, something is wrong in your midi setup. The Panel switch on the MatrixBrute should be "off".

When you find something you like "shift click" on a location of the memory strip. This will store the current setting setting of the filter knobs.
Note:  FilterJuggler can only store knob positions, no switches, as the status of these cannot be send and received over midi.
You continue to tweak and find another combination of filter settings that you like a.s.o up to twelve different combinations can be stored this way in the memory strip.

You can now use the M1 Macro knob to quickly move through all the filter combinations you've created. This allows you to take an existing MB preset and try what it sounds like with the configurations you've created. One small movement of the M1 know will create an entirely different sound.
An alternative is to play the keyboard or to start the sequencer. Playing the keyboard/sequencer will load a different filter configuration with each step of the sequencer. An effect that cannot be achieved with the Matrixbrute alone.

 "write" saves current config.
 "read" loads stored configurations. 
"clearall" will clear the memory strip

Have Fun....

Gert/Khidr
37
ARP2600 V3 - Technical Issues / Re: Audio Input for V3 in Cubase
« Last post by nico@bugeyefilms.com on February 18, 2017, 07:51:10 pm »
Was this ever solved, is there a solution for cubase users that want to route audio into the intrument?
38
Analog Lab 2 - Users Community / Re: how to map swell to expression pedal in B3 preset
« Last post by LBH on February 18, 2017, 07:24:40 pm »
Hi pjkemp and welcome to Arturia forums.

If you don't own the B3 application, then i don't think you can map the B3 Swell pedal.

If you own the B3 application, then it's possible to assign a Analog Lab control to the B3 Swell pedal. You can see how - from 18:05 min - in this AnalogLab 2 tutorial video: https://www.arturia.com/analoglab/media

The rest is about using Midi learn to assign the Analog Lab control to your hardware expression pedal, or how you do that if you have other methods availble.
39
Keystep Technical questions / Re: Transport behaviour in MIDI sync mode
« Last post by stephendm on February 18, 2017, 01:50:17 pm »
This issue isn't about how midi works or about the way the Keystep pauses - it is an issue with how the Keystep resumes after it has been paused by the source that sends start/stop messages, when on the latest firmware (1.0.1.15)

I have the same issue exactly as described by mememe. This was not an issue in firmware 1.0.0.5
I updated the firmware to 1.0.1.15 yesterday and immediately had this issue.


For testing, I connected together the Keystep, an MPC2500 (master clock), an Access Virus C, and also a TR-8 so timing will be absolutely obvious even if only slightly out  (though timing goes out mostly by 1 or more seconds with this issue so..)


On Firmware 1.0.0.5:
1. I have the Keystep switched to sequencer mode   (and obviously will be sequencing the Virus)
2. I press 'PLAY' or 'PLAY START' on the MPC and the Keystep starts playing the sequence (triggering the Virus sounds), in time with the MPC and TR-8, from the start.
3. I press 'STOP' on the MPC and the Keystep pauses (as it has always done) and the TR-8 stops too.
4. I press 'PLAY START' (or hold 'STOP' and press 'PLAY START') on the MPC to start from the start   (and not resume/continue as pressing the 'PLAY' button on the MPC would do.)
5. The Keystep plays exactly in time with the MPC and the TR-8, from the very start of the sequence ..every time. Works beautifully.

On Firmware 1.0.1.15:
Steps 1 to 4 as above
Step 5. The MPC and TR-8 sounds/beats play from the start and are in perfect time together (as is all my other gear when added to the chain). The Keystep (Virus) starts playing at a completely random time. Anything from .5 sec to maybe 5 seconds after pressing 'PLAY START'. Totally unusable.

I tried other gear in place of the Virus but same issue. The play button on the Keystep can be seen light up at the random time anyway so it's clear the issue is with the Keystep, not the instrument it's sequencing.



I rolled back to 1.0.0.5 and tested and the issue was gone. I updated to 1.0.1.15 again and the issue came back.
Finally I went back to 1.0.0.5 again and it is perfect again as expected so it's staying on that. I can't imagine this is by design so must be a bug in the newest firmware.
Pity, because the new firmware fixes a lot of other issues, though there were none that made it unusable like this bug it introduced.

Hopefully will be acknowledged and fixed soon.
40
MatrixBrute - Tips & Tricks / Re: Changing envelope stage slopes
« Last post by khidr on February 18, 2017, 01:21:02 pm »
Very nice tip..could be included in the manual as an example of modulation...
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